{"id":2101,"date":"2015-08-01T02:07:26","date_gmt":"2015-08-01T09:07:26","guid":{"rendered":"http:\/\/jffsf.org\/?p=2101"},"modified":"2017-09-13T09:59:35","modified_gmt":"2017-09-13T16:59:35","slug":"sang-il-lee","status":"publish","type":"post","link":"https:\/\/www.jffsf.org\/2017\/sang-il-lee\/","title":{"rendered":"Sang-il Lee"},"content":{"rendered":"<p>\u2605 Sang-il Lee<br \/>\nDirector<\/p>\n<hr \/>\n<div class=\"ezcol ezcol-three-quarter\">Sept.9 Sat @ 1:00 PM\u3000<br \/>\n<a href=\"http:\/\/www.jffsf.org\/2017\/rage\/\" target=\"blank\"><span style=\"color:#f15a22;\"><strong>Rage<\/strong><\/a><\/em><\/span>   SF Premiere Screening + Q&#038;A<\/div>\n<div class=\"ezcol ezcol-one-quarter ezcol-last\"><\/div>\n<div class=\"ezcol-divider\"><\/div>\n<p>\uff0aThis event has ended. Thank you for coming!\uff0a<br \/>\n&nbsp;<br \/>\nSang-il Lee, a Japan-born Korean film director and writer, is probably most well-known as the director of <em>Hula Girls<\/em>, based on the true story of coal miners&#8217; daughters in a small village in northern Japan trying to save their hometown economy by dancing the Hawaiian hula. The movie was critically acclaimed and nominated for a total of 12 awards at the 2007 Japan Academy Awards and also won two major awards at the 80th Kinema Junpo awards. He followed up his hit movie, <em>Villain<\/em>, with a Japanese remake of the Oscar winning classic, <em>The Unforgiven<\/em>.<br \/>\nWith <em>Rage<\/em>, based on the novel written by Shuichi Yoshida inspired by a true murder case, Lee wrote the screenplay himself and attest to the passion and high expectations he harbors for the work. <em>Rage<\/em> promises to showcase Lee\u2019s pluckiness and talent for distilling great realism from characters in emotionally heightened circumstances.<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2605 Sang-il Lee Director \uff0aThis event has ended. Thank you&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3062,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,3],"tags":[],"class_list":["post-2101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guests","category-live-action"],"_links":{"self":[{"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/posts\/2101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/comments?post=2101"}],"version-history":[{"count":48,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/posts\/2101\/revisions"}],"predecessor-version":[{"id":3893,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/posts\/2101\/revisions\/3893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/media\/3062"}],"wp:attachment":[{"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/media?parent=2101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/categories?post=2101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jffsf.org\/2017\/wp-json\/wp\/v2\/tags?post=2101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}