{"id":20,"date":"2013-11-26T10:31:57","date_gmt":"2013-11-26T18:31:57","guid":{"rendered":"http:\/\/jffsf.org\/2014\/?page_id=20"},"modified":"2016-07-15T15:30:05","modified_gmt":"2016-07-15T22:30:05","slug":"guests","status":"publish","type":"page","link":"http:\/\/www.jffsf.org\/2016\/guests\/","title":{"rendered":"Guests"},"content":{"rendered":"<div class=\"cols_two\">\n<p><a href=\"\/2016\/shunji-iwai\/\"><img decoding=\"async\" src=\"http:\/\/jffsf.org\/2016\/wp-content\/uploads\/2016\/06\/shujiiwai_top.jpg\" width=\"330\"><\/a><\/p>\n<\/div>\n<div class=\"cols_two cols_last\">\n<p><strong><a href=\"\/2016\/shunji-iwai\/\">Shunji Iwai<\/a><\/strong><br \/>\nDirector<\/p>\n<p>Iwai was born in Sendai City, Miyagi Prefecture in 1963, and began directing TV, Music Videos and Film in 1988. His distinct directing style has since been coined the  \u201cIwai Aesthetic.\u201d  In 1995, his film, <em>Love Letter<\/em> became a huge hit across Asia, particularly in China and South Korea&#8230; <\/p>\n<p><a href=\"\/2016\/shunji-iwai\/\">Read More<\/a> | <a href=\"http:\/\/jffsf.org\/2016\/a-bride-for-rip-van-winkle\/\n\"><em>A Bride for Rip Van Winkle<\/em><\/a><\/p>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n<p>&nbsp;<\/p>\n<div class=\"cols_two\">\n<p><a href=\"\/2016\/ryusuke-hamaguchi\/\"><img decoding=\"async\" src=\"http:\/\/jffsf.org\/2016\/wp-content\/uploads\/2016\/06\/director.hamaguchi-top.jpg\" width=\"330\"><\/a><\/p>\n<\/div>\n<div class=\"cols_two cols_last\">\n<p><strong><a href=\"\/2016\/ryusuke-hamaguchi\/\">Ryusuke Hamaguchi<\/a><\/strong><br \/>\nDirector<\/p>\n<p>Director Ryusuke Hamaguchi was born on Dec 16, 1978. After graduating from the University of Tokyo with a Bachelor of Art in Aesthetics in March 2003, he had been working as an assistant directors for film and TV industry for three years. Then, Hamaguchi has studied&#8230; <\/p>\n<p><a href=\"\/2016\/ryusuke-hamaguchi\/\">Read More<\/a> | <a href=\"\/2016\/happy-hour\/\"><em>Happy Hour<\/em><\/a><\/p>\n<\/div>\n<div style=\"clear:both;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":24,"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":2876,"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/pages\/20\/revisions\/2876"}],"wp:attachment":[{"href":"http:\/\/www.jffsf.org\/2016\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}